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With his band The Electric Epic, the saxophonist, born in Annecy (in 1980), first turned up the heat (as early as 2009) in the contemporary jazz scene. Three years later, John Zorn himself described him as "a nuclear bomb of emotions" and released this extroverted, panoramic, and electric fusion on his Tzadik label. Between funky metrics and more abstract harmonies, between metal, electro, and the burning breath of free, between Africa and psychedelia, the music of the Savoyard undoubtedly provokes a shock. After two remarkable albums with Electric Epic, Guillaume Perret is now venturing into a full solo effort with his new opus, Free (2016).

We must also agree on Perret's notion of solitude, close to that expressed by Deleuze at the beginning of A Thousand Plateaus: "Since each of us was several, that was already a lot of people." » We could indeed evoke the almost symphonic multiplication of the saxophone and these rhythmic cycles in dizzying loops which make Guillaume Perret multiple, enveloping and so spectacular.