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"Fire in velvet. A fitting description of Joshua Breakstone's jazz guitar," wrote Paul Weidman in The Sante Fe New Mexican. "His flowing lines on up-tempo cookers are impeccably clean and fiery, bearing the mark of a first-rate improviser, while his chordal work on heartbreaker ballads is the final word in finesse," has raved Guitar Player Magazine. Japan's Jazz Hihyo (aka Jazz Critique) recognizes that "The style in which Joshua develops his fluid single-note solos used to be thought of as the Grant Green school, but now this man leads the school." Charles Alexander wrote in his book, Masters of Jazz Guitar, "With a firm grasp of the bebop language, Breakstone nevertheless avoids its cliches, instead unfolding a storyline in his solos, all the while building interest with economical, elegant lines and sustaining longer notes with a clear, rounded guitar sound." Steve Day wrote in sandybrownjazz.co.uk that "Joshua Breakstone is a fabulously exciting player to listen to".
