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In 2003, High Fidelity Review trumpeted one of surround music’s best moments, the release of Pink Floyd’s ‘Dark Side of the Moon‘ as a 5.1 SACD. While by all accounts the disc enjoyed enormous popularity among surround music enthusiasts, there were two immediate questions presented: What would it have sounded like if released as a DVD-Audio disc? And what about the original quadraphonic mix by sound engineer Alan Parsons? The debate over the two competing surround formats was fresher then, and there was a thirty year allegiance to the 4.0 quadraphonic mix of original surround engineer Alan Parsons, a mix that was never endorsed by the group itself, but which had itself become a cult classic since the release of this giant work in 1973.
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